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 Béla Bartók’s Sonata for Two Pianos and Percussion provides the driving force for Béla, a co-creation by Etienne Guilloteau & Claire Croizé together with music ensemble Ictus

Béla

Claire Croizé & Etienne Guilloteau

Together with the renowned music ensemble Ictus, choreographers Claire Croizé and Etienne Guilloteau (ECCE) embark on a striking new creation for four female dancers and four musicians. Béla Bartók’s Sonata for Two Pianos and Percussion — an explosive work full of complex accents and rhythms — serves as the driving force behind a vibrant, virtuosic choreography. It is music brimming with life, irresistibly calling the body to move. The performance explores the profound physical and emotional impact of music on the body and immerses us in polyrythm to reveal an extraordinary  intensity in the dance gestures.

The performance brings together dance, classical music, and bold electronic music that pushes the boundaries of sound art. By exploring Bartók’s unique approach to the form of the “Nocturne,” dancers and musicians engage in a redefinition of the concept of “Nature”: no longer an idealized Other, a source of contemplation — and exploitation — but a vast field of negotiation among all inhabitants of the Earth, teeming with gestures, sounds, and complex interactions.

The world premiere is scheduled for 6 February 2026 at Concertgebouw Brugge. Afterwards, the performance will be presented in Brussels by Bozar and in Leuven at the Stadsschouwburg by Stuk in collaboration with 30CC.

There are two work-in-progress showings planned at the end of residency periods: on 9 October 2026 at Studio de la Velette, CCN Rillieux-la-Pape, and on 18 December at CCN Caen in France.

 

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Concept and Choreography
Claire Croizé and Etienne Guilloteau
Musical direction
Jean-Luc Plouvier
Created with and danced by
Claire Godsmark, Laure de Dietrich, Cintia Sebök, Anne-Laure Dogot
Musicians
Marlies Debacker, Jean-Luc Plouvier, Tom De Cock, Gerrit Nulens
Music
Béla Bartók, Sonata pour deux pianos et percussions sz110, and other pieces
Light design
Hans Meijer
Sound engineer
Alexandre Fostier
Costume design
Anne-Catherine Kunz
Production
ECCE
Coproduction
Concertgebouw Brugge, Stuk Leuven, Perpodium, Centre Chorégraphique National de Rillieux-la-Pape, Centre chorégraphique national de Caen en Normandie, as part of the program Accueil-studio/Ministère de la Culture
Daily management, distribution and communication
Carine Meulders
Financial management
Christel Simons
International distribution
Stepturnmove
Residencies
Concertgebouw Brugge, STUK Leuven, Kunstencentrum Buda Kortrijk, Centre Chorégraphique National de Rillieux-la-Pape, Centre chorégraphique national de Caen en Normandie, as part of the program Accueil-studio/Ministère de la Culture
With the support of the Flemish Government and the Tax Shelter of the Belgian Federal Government
The Round

Claire Croizé

Our solo

Claire Croizé & Etienne Guilloteau

Fabula

Claire Croizé

Duet for two string trios

Claire Croizé

Retour Amont: le Rêve

Etienne Guilloteau & Ictus